Marianne Maddalena

Nightmare Cafe (1992) Creators: Wes Craven , Thomas Baum Producers: Marianne Maddalena, Bruce A. Pobjoy Starring: Robert Englund, Jack Coleman, Lindsay Frost Frank Nolan and Fay Peronivic find themselves in a mysterious all-night cafe following a brush with death - but they soon learn that they did, in fact, die, and have been brought back to life by the cafe. Back To Television

Cursed (2005) Director: Wes Craven Producers: Marianne Maddalena, Kevin Williamson Starring: Christina Ricci , Jesse Eisenberg , Portia de Rossi A werewolf loose in Los Angeles changes the lives of three young adults, who, after being mauled by the beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too. Back To Movies

The Hills Have Eyes (2006) Director: Alexandre Aja Producers: Marianne Maddalena, Wes Craven, Peter Locke Starring: Ted Levine , Kathleen Quinlan , Dan Byrd A suburban American family is being stalked by a group of psychotic people who live in the desert, far away from civilization. Back To Movies

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ABOUT Marianne Maddalena producer X An American film and television producer, Marianne Maddalena’s productions have taken her from the streets of Los Angeles to the stages of Carnegie Hall, from the woods of Vancouver to the farflung reaches of Haiti, Morocco and South Africa. Grossing over $1 billion worldwide, Marianne’s films have been at the center of the pop culture conversation for nearly three decades. Born in Lansing, Michigan, Marianne attended Michigan State University and then traveled to Europe, to study and work in Italy and France. She entered the world of cinema when she landed a job on DEADLY FRIEND as assistant to director Wes Craven. Their relationship would prove to be a fortuitous one. Working again as his assistant on his next project, THE SERPENT AND THE RAINBOW, Marianne travelled with Wes to Haiti in and the unique demands of this famously difficult production forged a professional bond between the two that would last for more than twenty years. It was this bond of trust that allowed Marianne to make the jump to full producing partner with Craven’s next two films for Shep Gordon’s Alive Films and Universal Pictures, SHOCKER and THE PEOPLE UNDER THE STAIRS. Branching out into television, the pair produced the NBC TV movie NIGHT VISIONS as well as the NBC series NIGHTMARE CAFE. With Craven still immersed in production on PEOPLE UNDER THE STAIRS, Maddalena worked closely with director Phillip Noyce on the pilot of NIGHTMARE CAFE, though Craven eventually joined the roster of directors once the series was underway. Marianne then turned her attention back to producing Craven’s preSCREAM foray into postmodern horror, WES CRAVEN’S NEW NIGHTMARE. Marking Craven’s return to a series that helped to define the horror genre in the 1980s, NEW NIGHTMARE gave the series a fresh 90s spin deemed so original that it garnered Marianne an Independent Spirit Award nomination for Best Picture of 1994. A most unusual move for the group to venture into underrewarded horror territory, NEW NIGHTMARE found itself competing against the likes of Woody Allen’s BULLETS OVER BROADWAY, Ang Lee’s EAT DRINK MAN WOMAN, Alan Rudolph’s MRS. PARKER & THE VICIOUS CIRCLE and the eventual winner, Quentin Tarantino’s PULP FICTION. Maddalena and Craven produced the Eddie Murphy vehicle VAMPIRE IN BROOKLYN (1995), and then segued immediately into the film that would redefine the horror genre for the 1990s, SCREAM. The film was an international blockbuster and would soon spawn three equally successful sequels that were all directed by Wes and produced by Marianne. Forming a production company together, CravenMaddalena Films, Marianne and Wes were able to capitalize on their newfound success by moving into territory outside the horror genre, like the Meryl Streep vehicle MUSIC OF THE HEART (1999), which garnered 2 Oscar nominations including one for Streep as Best Actress, and the highly successful 2005 thriller RED EYE, starring Rachel McAdams and Cillian Murphy. This success also spawned a cottage industry of films by other directors which were produced by Marianne, including 2006’s THE HILLS HAVE EYES directed by Alexandre Aja (which grossed $42 million domestic), its 2007 sequel, THE HILLS HAVE EYES II, and 2009’s THE LAST HOUSE ON THE LEFT directed by Dennis Iliadis (which helped to launch the career of BREAKING BAD’S Aaron Paul). Marianne next had the opportunity to produce the omnibus indie NEW YORK, I LOVE YOU, with a collection of short films directed by such international icons as Fatih Akin, Yvan Attal, Allen Hughes, Shekhar Kapur, Joshua Marston, Mira Nair, and Natalie Portman, making her directorial debut. The success of that film has spawned an Israeli version currently in development, JERUSALEM, I LOVE YOU, featuring a promised roster of equally sterling international directors. With several films in development and stated for production in 2018, Marianne is currently producing SCREAM: THE TV SERIES, which is in its second season on MTV. Marianne is also a cosponsor of the COLCOA French Film Festival, a festival created and presented by the FrancoAmerican Cultural Fund designed to showcase the diversity of French film, now in its twentieth year. And in response to the criticism this year of the lack of diversity in film, she is also producing a series of public service announcements with former Academy president Hawk Koch, entitled IF YOU CAN SEE IT YOU CAN BE IT. which will showcase the talents of diverse members of the film community in hopes to educate students about all the many different job opportunities in the film business. Will Smith, Viola Davis, Russell Simmons, Kerry Washington and Vanessa Hudgens will be introducing the segments. The project was inspired by President Obama’s foundation MY BROTHER’S KEEPER. UNDER VIDEO

Music of the Heart (1999) Director: Wes Craven Producers: Marianne Maddalena, Susan Kaplan, Allan Miller, Walter Scheuer Starring: Meryl Streep , Cloris Leachman , Henry Dinhofer Story of a schoolteacher's struggle to teach violin to inner-city Harlem kids. Nonimated - Best Actress in a Leading Role - Meryl Streep Nominated - Best Music, Original Song - Diane Warren x Let's Stop Treating 'Music of the Heart' as the Forgettable Footnote in Wes Craven's Career I prefer to think of it as Craven’s greatest risk: an uneven and at times saccharine risk, for sure, but one that still yields cinematic dividends that are stirring in their simplicity and sweetness but never slight or superficial. If that’s not the mark of a true cinematic icon then I’m not sure what is... Click To Read Full Article x Roger Ebert Review: 'Music of the Heart' Directed by Wes Craven, known for his horror films, and he may seem like a strange choice for this material. Not at all. He is in fact a cultured man who broke into movies doing horror and got stuck in the genre; he's been trying to fight his way free from studio typecasting for 20 years, and this movie shows that he can get Meryl Streep to Carnegie Hall just as easily as a phantom to the opera... Click To Read Full Article x A Director Trades in the Hatchets for Violins Her performance here is strong and convincing, and the film offers her an unusually well-drawn (if potentially toxic) role. Without undue sentimentality, it shows how a single mother with little work experience or confidence managed to help a lot of children and create a meaningful new life for herself in the process... Click To Read Full Article Back To Movies

Producer of Scream, Red Eye, The Hills Have Eyes, The Last House on the Left, Shocker and Wes Craven's New Nightmare ABOUT UNDER VIDEO Marianne Maddalena producer X COSPONSOR Colcoa French Film Festival Los Angeles, California An American film and television producer, Marianne Maddalena’s productions have taken her from the streets of Los Angeles to the stages of Carnegie Hall, from the woods of Vancouver to the farflung reaches of Haiti, Morocco and South Africa. Grossing over $1 billion worldwide, Marianne’s films have been at the center of the pop culture conversation for nearly three decades. Born in Lansing, Michigan, Marianne attended Michigan State University and then traveled to Europe, to study and work in Italy and France. She entered the world of cinema when she landed a job on DEADLY FRIEND as assistant to director Wes Craven. Their relationship would prove to be a fortuitous one. Working again as his assistant on his next project, THE SERPENT AND THE RAINBOW, Marianne travelled with Wes to Haiti and the unique demands of this famously difficult production forged a professional bond between the two that would last for more than twenty years. It was this bond of trust that allowed Marianne to make the jump to full producing partner with Craven’s next two films for Shep Gordon’s Alive Films and Universal Pictures, SHOCKER and THE PEOPLE UNDER THE STAIRS. Branching out into television, the pair produced the NBC TV movie NIGHT VISIONS as well as the NBC series NIGHTMARE CAFE. With Craven still immersed in production on PEOPLE UNDER THE STAIRS, Maddalena worked closely with director Phillip Noyce on the pilot of NIGHTMARE CAFE, though Craven eventually joined the roster of directors once the series was underway. Marianne then turned her attention back to producing Craven’s preSCREAM foray into postmodern horror, WES CRAVEN’S NEW NIGHTMARE. Marking Craven’s return to a series that helped to define the horror genre in the 1980s, NEW NIGHTMARE gave the series a fresh 90s spin deemed so original that it garnered Marianne an Independent Spirit Award nomination for Best Picture of 1994. A most unusual move for the group to venture into underrewarded horror territory, NEW NIGHTMARE found itself competing against the likes of Woody Allen’s BULLETS OVER BROADWAY, Ang Lee’s EAT DRINK MAN WOMAN, Alan Rudolph’s MRS. PARKER & THE VICIOUS CIRCLE and the eventual winner, Quentin Tarantino’s PULP FICTION. Maddalena and Craven produced the Eddie Murphy vehicle VAMPIRE IN BROOKLYN (1995), and then segued immediately into the film that would redefine the horror genre for the 1990s, SCREAM. The film was an international blockbuster and would soon spawn three equally successful sequels that were all directed by Wes and produced by Marianne. Forming a production company together, CravenMaddalena Films, Marianne and Wes were able to capitalize on their newfound success by moving into territory outside the horror genre, like the Meryl Streep vehicle MUSIC OF THE HEART (1999), which garnered 2 Oscar nominations including one for Streep as Best Actress, and the highly successful 2005 thriller RED EYE, starring Rachel McAdams and Cillian Murphy. This success also spawned a cottage industry of films by other directors which were produced by Marianne, including 2006’s THE HILLS HAVE EYES directed by Alexandre Aja (which grossed $42 million domestic), its 2007 sequel, THE HILLS HAVE EYES II, and 2009’s THE LAST HOUSE ON THE LEFT directed by Dennis Iliadis (which helped to launch the career of BREAKING BAD’S Aaron Paul). Marianne next had the opportunity to produce the omnibus indie NEW YORK, I LOVE YOU, with a collection of short films directed by such international icons as Fatih Akin, Yvan Attal, Allen Hughes, Shekhar Kapur, Joshua Marston, Mira Nair, and Natalie Portman, making her directorial debut. The success of that film has spawned an Israeli version currently in development, JERUSALEM, I LOVE YOU, featuring a promised roster of equally sterling international directors. With several films in development and slated for production in 2017, Marianne is currently producing SCREAM: THE TV SERIES, which is in its second season on MTV. Marianne is also a cosponsor of the COLCOA French Film Festival, a festival created and presented by the FrancoAmerican Cultural Fund designed to showcase the diversity of French film, now in its twentieth year. And in response to the criticism this year of the lack of diversity in film, she is also producing a series of public service announcements with former Academy president Hawk Koch, entitled IF YOU CAN SEE IT YOU CAN BE IT. which will showcase the talents of diverse members of the film community in hopes to educate students about all the many different job opportunities in the film business. Will Smith, Viola Davis, Russell Simmons, Kerry Washington and Vanessa Hudgens will be introducing the segments. The project was inspired by President Obama’s foundation MY BROTHER’S KEEPER.

The Hills Have Eyes 2 (2007) Director: Martin Weisz Producers: Marianne Maddalena, Wes Craven, Peter Locke Starring: Daniella Alonso , Jacob Vargas , Michael Bailey Smith A group of National Guard trainees find themselves battling against a vicious group of mutants on their last day of training in the desert. Back To Movies

Scream 3 (2000) Director: Wes Craven Producers: Marianne Maddalena, Cathy Konrad, Kevin Williamson Starring: Neve Campbell , Courteney Cox, David Arquette While Sidney and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, a new Ghostface begins to terrorize them once again. Back To Movies

Don't Look Down (1998 TV Movie) Director: Larry Shaw Producers: Marianne Maddalena, Richard Fischoff , Randy Sutter Starring: Megan Ward , Billy Burke , Angela Moore A woman tries to get over the death of her sister by taking an Acrophobiac group. The the group starts to get killed one by one Back To Television

x What Is the Spooky Real Life Origin of Scream’s Ghostface Mask? "Maddalena ended up not using that house but instead chose a neighboring house for the home of Tatum and Dewey Riley (Rose McGowan and David Arquette) in Scream. However, while at the first house, she discovered a striking mask hanging from a post..." Click To Read Full Article x 10 Successful Horror Movies Released in December "Scream was predicted to be DOA by Variety in the weeks leading up to its release. I don’t think people really knew what kind of box office juggernaut Scream would turn out to be. $103 million is impressive for any horror film, much less one that..." Click To Read Full Article x An Early Review of "Scream" "The pic’s chills are top-notch, but its underlying mockish tone won’t please die-hard fans. That adds up to no more than modest commercial returns and fast theatrical playoff..." Click To Read Full Article

They Shoot Divas, Don't They? (2002 TV Movie) Director: Jonathan Craven Producers: Marianne Maddalena, Jordan Roberts, Randy Sutter Starring: Jennifer Beals, Keri Lynn Pratt, Molly Hagan A rock diva with a lengthy and often turbulent career hires a new assistant whose sweet, helpful demeanor masks ulterior motives. Back To Television